︎         The song remains, but not the same. Purpose. Revolution. (Factory Records1.) ︎         Along the axis of vulnerability2. Cross pollination. Transcendental aspiration. (Human connection3.) ︎         Style does not preclude substance. Brand. Screen. Interface. (Wim Crouwel4.) ︎         Language is meaningless sans fonts. Fonts alone are ineffective. (Graffiti.org5.) ︎         Curiosity. To experiment is to play, to live. Serendipity, perhaps. (Ghostly International6.)


Ampersanderson is the creative moniker and studio practice of Matthew Anderson. I specialize in designing digital experiences and brand identities.

I am Creative Director at Enjoy the Weather︎︎︎, where we make things for companies such as Nike, Sonos, and TEDxPortland.

Contact to collaborate ︎.


Email ︎
Instagram ︎
Twitter ︎

Work For (Select)

Ace Hotel
Columbia GSAPP
Jordan Brand
Nike Valiant Labs
Summit Arts
Studio Proba
System Architects
TED Fellows

Agencies & Studios (Select)

Enjoy the Weather ︎
Huge/KingCoyle ︎
Project Projects ︎
Victoria’s Secret PINK ︎
Y&R ︎
Hyperakt ︎

Free Stuff

Like free things? Sometimes I have stuff to give away. Contact with your email address to be included in the shwag bag distribution. Think posters, mixtapes, stickers, totes, and who-knows-what-else.

Sign me up ︎


© 2023 Matthew Anderson. All rights reserved.

Marquee Postscript

1) Robertson, Matthew. Factory Records: The Complete Graphic Album ︎ . Chronicle Books, 2006. ISBN: 0811856763. 2) “The axis of vulnerability” ︎ is a term borrowed from poet David Whyte. 3) “Sometimes it takes darkness and the sweet / confinement of your aloneness / to learn / anything or anyone / that does not bring you alive / is too small for you.” David Whyte. “Sweet Darkness” ︎ 4) Wim Crouwel ︎ (November 1928 – September 2019) 5) Art Crimes ︎ 6) Ghostly International ︎.